
And yet I thoroughly enjoyed Greg Milner’s Perfecting Sound Forever: The Story of Recorded Music, which I review in this week’s New Statesman. Perhaps it’s because Milner comes at his subject from such an enthusiastically musical standpoint – which might be why the book also serves, probably unwittingly, as an alternative history of popular music - as he entertainingly reveals how every piece of recorded music is a fabrication, a wonderful little lie, whether preserved on wax, Shellac, tape, vinyl, CD or Mp3. It’s well worth a read. It will change the way you think about music and how it does what it does.
1 comment:
There is frightening truth in the cover of that magazine.
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